écrits
livres:
Formal Strategies in Composition (1994)
PhD Thesis, City University, London, December 2004.
Jonathan Harvey’s Bhakti for Chamber Ensemble and Electronics: Serialism, Electronics and Spirituality Edwin Mellen Press, USA, 2001. ISBN 0-7734-7436-6
Integrating Skills Development with Academic Content in Higher Education (with Honeybone A., Blumhof J., Hall M.). A guide to the work of the Hertfordshire Integrated Learning Project, Hatfield, University of Hertfordshire, UK, 2001.
Images of the Mind (work in progress)
An investigation of some psychoacoustic and aesthetic aspects in electro-acoustic composition.
papers et articles:
Electroacoustic Chamber Music (1993)
Paper given at the Lucerne Conservatoire, Contemporary Chamber Music Mastercourse, 1993
An Overview of Schenkerian Analysis (1994)
Article written for the MA Course at the University of Bristol, UK, 1994.
Compendium of basic acoustics (1996)
Internal publication for the Music Department, Faculty of Computer Science, Hatfield, University of Hertfordshire, UK, 1996.
Introduction to ‘Images of the Mind’ (1997)
Paper given at the 1997 KlangArt International Congress ‘New Music & Technology’ in Osnabrück, Germany. Published in ‘Musik und Neue Technologie 3, Musik im virtuellen Raum’ (edited by Bernd Enders), Universitätsverlag Rasch, Osnabrück (2000). ISBN 3-934005-64-0.
Towards a Research Culture in Music (1997)
Faculty of Computer Science Journal, University of Hertfordshire, UK, 1997.
Conceptual models of interaction: towards a perceptual analysis of interactive composition (1997-8)
Paper given at the 1997 Sonic Arts Network Conference, University of Birmingham, UK, 10-12 January 1998. Published in the Seamus Journal, USA, Vol. XIV no. 1, Summer 1999.
Perceptual Abstraction and Electroacoustic Composition (1998)
Paper given at the 1998 Seamus Conference, Dartmouth College, NH, USA, 16-18 April 1998 (1997-98). Published in the Seamus Journal, USA, Vol. XIII, No. 2, Fall 1998.
Listening: towards a new awareness of a neglected skill (1997)
Paper for the Stockholm Hey Listen! International Conference on Acoustic Ecology, 9-13 June 1998
Published by the Royal Swedish Academy of Music, June 1998.
Which Global Music? (1999)
Paper commissioned by, and given at the 1999 Klangart Congress, Osnabrueck, Germany, June 1999.
Published in ‘Musik und Neue Technologie 4’ (edited by Bernd Enders), Universitätsverlag Rasch, Osnabrück (2002).
The lesson of freedom: Remembering Luc Ferrari (2005)
Published in 'Soundscape - The Journal of Acoustic Ecology', Vol. 6, No. 1, Spring/Summer 2005. ISSN 1607-3304
Tra melodia, parola e oltre (2006) (in Italian)
Published in 'Leopoldo Verona: Compagni di bellezza', Biblioteca Statale di Cremona, Mostre XXVI, April 2006. Edited by Lia De Pra Cavalleri
Nachklang - thoughts on without, the Japanese ma and silence (2006)
Published in the 2006 Heidelberg Biennale festival booklet
écrits d'autre
"nowhere" (in Polish). Part of the PhD Thesis by Zoltan Kovacs at the Music Academy of Lodz, Poland. To be published in summer 2009. www.zoltankovacs.com
John Palmer's "Drang": A Methodic Analysis of Performance Techniques with Commentary (in Russian & English)
MA dissertation by Sergej Tchirkov, State Conservatory of Music Rimsky-Korsakov, St.Petersburg, Russia, Accordion Department. State Examination for the Degree of Master of Arts.
'koan, still, satori', CD booklet by Peter Burt, 2003
'inwards', CD booklet by Simon Emmerson (2009)
